Bill Cunningham's
To achieve that design, I put together the top of this 1950s dress and this skirt pattern from Burda magazine, just like I did in my Retro Butterfly Dress.
I sewed a waist stay to the skirt, made of the same fabric, and sewed the top of the dress to the bottom of that stay. Since the fabric is thransparent, full of little holes, I sewed a nude colour stretch lining skirt to the waist stay as well. It keeps the transparency effect, but if does not allow to see through. I did not line the top, so you can see the pale pink bra showing though.
For the leather belt, I decided to copy a white leather Mango I had in my closed. I cut the pieces out of some old leather pants a friend gave to me. Each piece has to halves, up and down, which fold over and meet in the middle back. I cut some two-sided iron lining (the one that melts with the temperature of the iron), and applied between the two sides of each piece, pressing with the iron, using a cotton cloth to prevent the leather form damage. Then I zig-zagged the pieces together.
The result is perfect, both for the dress and the belt. In these pictures I am wearing it with my new PonsQuintana purple sandals, my last acquisition.
No comments:
Post a Comment
Wanna comment?